حجة الله البالغة - Shah Waliullah Dehlawiاردو◂ Contents

Sources · the edition this notebook reads

Sources

Which printing is cited, and which are not
every chapter links back here

The base edition
Book
حجة الله البالغة
Author
شاه ولي الله الدهلوي (d. ١١٧٦ هـ)
Editor
Saeed Ahmad Palanpuri - سعيد أحمد البالنبوري
Publisher
دار ابن كثير - بيروت
Printing
3rd printing, 1438 AH / 2017 CE - 2 vols., 1328 pp.
Commentary
Rahmat Allah al-Wasia - Saeed Ahmad Palanpuri, in Urdu

Every line of Arabic in this notebook is attributed to this printing. Where a chapter's scan was illegible and the wording had to be taken from elsewhere, that is said on the chapter's own page.

The Arabic text - base edition

حجة الله البالغة, edited by Saeed Ahmad Palanpuri. This is the recension the notebook reads. Palanpuri is both its editor and its commentator - and his footnotes (حواشي) exist only in this edition, in no digital text.

The Urdu commentary - first recourse

The same scholar's Urdu commentary, Rahmat Allah al-Wasia (رحمۃ اللہ الواسعہ) - editor and commentator being one person. Where a chapter leaves a question open at its end, this is the first place to look for an answer.

For searching the text

These digital texts are useful for finding a word or phrase anywhere in the book. Note: they are not Palanpuri's recension - Shamela carries Sayyid Sābiq's, with his footnotes - so the page numbers differ, and in places so does the wording. Use them to locate a passage, never to cite one.

Two things that hold for every bāb

Page numbers are deliberately omitted. The scan's OCR of the folios is unusable, and pagination changes from printing to printing. A bāb's name and its position (القسم and المبحث) are the same in every printing - that is what a reference here consists of. The aim is to get the concepts right, not to accumulate citations.
Palanpuri's footnotes are a modern work still in copyright. They are therefore quoted briefly, attributed, and labelled حاشیہ. His apparatus has not been mirrored into this notebook, and the reading panel shows the Arabic matn alone - which is public domain, its author having died in ١١٧٦ هـ. That is not merely a promise: the export tool refuses to write out any text still carrying the editors' apparatus.

Sources a particular bāb happens to discuss - Ghazālī's إحياء علوم الدين, say, or كشاف اصطلاحات الفنون - are listed on that bāb's own page, because that is where they belong.

A personal reading notebook - neither an edition nor an authorised text.
Urdu is set in Jameel Noori Nastaleeq: the first visit opens inGulzar (Borna Izadpanah and Fiona Ross, SIL OFL 1.1) while Jameel Noori loads quietly behind it and takes over from the next page. The Arabic is Amiri, a revival of the Būlāq Naskh, also under theSIL OFL 1.1.
◂ The bābs